{"id":130,"date":"2014-12-01T20:48:31","date_gmt":"2014-12-01T11:48:31","guid":{"rendered":"https:\/\/bull-japan.co.jp\/?page_id=130"},"modified":"2022-09-17T14:00:24","modified_gmt":"2022-09-17T05:00:24","slug":"%e6%a9%9f%e6%9d%90%e3%83%aa%e3%82%b9%e3%83%88","status":"publish","type":"page","link":"https:\/\/bull-japan.co.jp\/?page_id=130","title":{"rendered":"\u6a5f\u6750\u30ea\u30b9\u30c8"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
AUDIO MIXING AMPLIFIER<\/td>\n1ch Mic Pre Amp<\/td>\nMP-1 (SOUND DEVICES)<\/td>\n5\u53f0<\/td>\n<\/tr>\n
1ch Mic Pre Amp<\/td>\nFP23<\/td>\n4\u53f0<\/td>\n<\/tr>\n
1ch Mic Pre Amp<\/td>\nSS-404(sigma)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
3ch Compact Analog Mixer<\/td>\nSS-302(sigma)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
4ch Analog Mixer<\/td>\nEFP-402L (sigma)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
4ch Compact Analog Mixer<\/td>\nKS-342\uff08\uff53\uff49\uff47\uff4d\uff41\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
4ch Compact Analog Mixer<\/td>\nSS-342\uff08\uff53\uff49\uff47\uff4d\uff41\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
4ch Compact Analog Sub Mixer<\/td>\nKS-6001\uff08\uff53\uff49\uff47\uff4d\uff41\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
4ch Compact Analog Sub Mixer<\/td>\nSS-6001\uff08\uff53\uff49\uff47\uff4d\uff41\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
6ch Analog Mixer<\/td>\nSS-424\uff08\uff53\uff49\uff47\uff4d\uff41\uff09<\/td>\n5\u53f0<\/td>\n<\/tr>\n
8ch Digital Recorder Mixer<\/td>\nSS-884Rex (sigma)<\/td>\n5\u53f0<\/td>\n<\/tr>\n
12ch Analog Mixer<\/td>\nATX-12ST\uff08TAMURA\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
12ch Analog Mixer<\/td>\nBSS-1204(sigma)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
Digital Mixing Console<\/td>\nO2R96(YAMAHA)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
Digital Mixing Console<\/td>\nDM1000(YAMAHA)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
Digital Mixing Console<\/td>\nO3D(YAMAHA)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
MICROPHONE<\/td>\nMKH-416T\uff08SENNHEISER\uff09<\/td>\n20\u672c<\/td>\n<\/tr>\n
MKH-816T\uff08SENNHEISER\uff09<\/td>\n13\u672c<\/td>\n<\/tr>\n
MKH-50P48\uff08SENNHEISER\uff09<\/td>\n10\u672c<\/td>\n<\/tr>\n
MKH8040P48 (SENNHEISER)<\/td>\n10\u672c<\/td>\n<\/tr>\n
CSS-5\uff08sanken\uff09<\/td>\n1\u672c<\/td>\n<\/tr>\n
C-414B-XL\u2161\uff08AKG)<\/td>\n5\u672c<\/td>\n<\/tr>\n
c-536P\uff08SONY\uff09<\/td>\n10\u672c<\/td>\n<\/tr>\n
PC-30 (Primo)<\/td>\n5\u672c<\/td>\n<\/tr>\n
C747 (AKG)<\/td>\n3\u672c<\/td>\n<\/tr>\n
ECM-531 (SONY)<\/td>\n2\u672c<\/td>\n<\/tr>\n
ECM-55B (SONY)<\/td>\n8\u672c<\/td>\n<\/tr>\n
ECM-77B (SONY)<\/td>\n2\u672c<\/td>\n<\/tr>\n
BLM-03C (SCHOEPS)<\/td>\n1\u672c<\/td>\n<\/tr>\n
AT-871R (audio technica)<\/td>\n2\u672c<\/td>\n<\/tr>\n
AT-851a (audio technica)<\/td>\n8\u672c<\/td>\n<\/tr>\n
MD-431\u2161\uff08SENNHEISER\uff09<\/td>\n2\u672c<\/td>\n<\/tr>\n
SM-58\uff08SHURE\uff09<\/td>\n8\u672c<\/td>\n<\/tr>\n
SM-63\uff08SHURE\uff09<\/td>\n3\u672c<\/td>\n<\/tr>\n
SM-77\uff08SHURE\uff09<\/td>\n4\u672c<\/td>\n<\/tr>\n
HEAD\u3000SET\u3000MICROPHONE<\/td>\nHMD-410\uff08SENNHEISER\uff09<\/td>\n2\u672c<\/td>\n<\/tr>\n
HME-26 (SENNHEISER)<\/td>\n3\u672c<\/td>\n<\/tr>\n
WIRELESS\u3000MICROPHONE<\/td>\nWX-TB840 (RAMSA)<\/td>\n25\u6ce2<\/td>\n<\/tr>\n
WX-RJ800 (RAMSA)<\/td>\n10\u6ce2<\/td>\n<\/tr>\n
RJ-700\u3000B\u5e2f\uff08RAMSA\uff09<\/td>\n5\u6ce2<\/td>\n<\/tr>\n
WX-TA840 (RAMSA)<\/td>\n4\u6ce2<\/td>\n<\/tr>\n
WX-RJ700 (RAMSA)<\/td>\n9\u6ce2<\/td>\n<\/tr>\n
WX-RB400 (RAMSA)<\/td>\n2\u6ce2<\/td>\n<\/tr>\n
WX-RB700 (RAMSA)<\/td>\n2\u6ce2<\/td>\n<\/tr>\n
eW100 G3 (SENNHEISER)<\/td>\n10\u6ce2<\/td>\n<\/tr>\n
UWP-V1 (SONY)<\/td>\n1\u6ce2<\/td>\n<\/tr>\n
WIRELESS\u3000HAND\u3000MICROPHONE<\/td>\nWX\uff0dTB820S<\/td>\n4\u672c<\/td>\n<\/tr>\n
WX\uff0dTB815S<\/td>\n4\u672c<\/td>\n<\/tr>\n
SPEAKER<\/td>\nSX-200\uff08Electro-Voice\uff09<\/td>\n2\u53f0<\/td>\n<\/tr>\n
101MM\u2161 (BOSE)<\/td>\n8\u53f0<\/td>\n<\/tr>\n
MS-101\uff08YAMAHA\uff09<\/td>\n4\u53f0<\/td>\n<\/tr>\n
PMA-3P\uff08TOMOCA\uff09<\/td>\n2\u53f0<\/td>\n<\/tr>\n
SP-11C\uff08FOSTEX )<\/td>\n2\u53f0<\/td>\n<\/tr>\n
F11(QUESTED)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
OUT BOARD<\/td>\n33609C (NEVE)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
9098CL (AMEK)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
1178 (Urei)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
DN360 (KLARK-TEKNIK)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
Q2031B (YAMAHA)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
PRO-G51 (Accuphase)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
MUR-201\uff08SONY\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
SPX-1000\uff08YAMAHA\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
SPX-990\uff08YAMAHA\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
SDE-3000A (Roland)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
D-22 (t.c.electronic)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
ADA (HANAOKA)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
SS-502 (sigma)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
SS-502e (sigma)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
AD8HR (YAMAHA)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
PROBOX 12Senior (AUDIO DESIGN)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
PROBOX 12Junior (AUDIO DESIGN)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
POWER\u3000AMP<\/td>\nMACRO-TECH 1200 (AMCRON)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
GEODYNE\u2161 (AMCRON\uff09<\/td>\n1\u53f0<\/td>\n<\/tr>\n
MU-A400 (SONY)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
MU-A200 (SONY)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
Pro-2(Accuphase)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
P2100 (YAMAHA)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
RECORDER<\/td>\nProTools LE system (Mac,Digidesign)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
PD-606 (FOSTEX)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
R-88 (Roland)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
R-44 (Roland)<\/td>\n15\u53f0<\/td>\n<\/tr>\n
TCD-D10PRO\u2161 (SONY)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
\n1\u53f0<\/td>\n<\/tr>\n
MDP-500 (HHB)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
MZ-B10(SONY)<\/td>\n4\u53f0<\/td>\n<\/tr>\n
MZ-B100(SONY)<\/td>\n7\u53f0<\/td>\n<\/tr>\n
\u30b5\u30f3\u30d7\u30e9\u30fc<\/td>\nSP-404\uff08Roland)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
MPX16 (AKAI)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
\u305d\u306e\u4ed6<\/td>\nWX-T3400 (Panasonic)<\/td>\n11\u53f0<\/td>\n<\/tr>\n
WX-R3101 (Panasonic)<\/td>\n22\u53f0<\/td>\n<\/tr>\n
AR116 (BSS AUDIO)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
KS-4310 (sigma)<\/td>\n3\u53f0<\/td>\n<\/tr>\n
VFM-056WP (TV Logic)<\/td>\n2\u53f0<\/td>\n<\/tr>\n
F1 (F&V)<\/td>\n9\u53f0<\/td>\n<\/tr>\n
F3 (F&V)<\/td>\n6\u53f0<\/td>\n<\/tr>\n
K-202 (K-Tek)<\/td>\n10\u53f0<\/td>\n<\/tr>\n
MAX7000 (APPLAUSE SYSTEMS)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
MAX7100 (APPLAUSE SYSTEMS)<\/td>\n1\u53f0<\/td>\n<\/tr>\n
VXD20 (STANDARD)<\/td>\n4\u53f0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

AUDIO MIXING AMPLIFIER 1ch Mic Pre Amp MP-1 (SOUND DEVICES) 5\u53f0 1ch Mic Pre Amp FP23 4\u53f0 1ch Mic Pre Amp SS-404(\u2026 \u7d9a\u304d\u3092\u8aad\u3080 »<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":21,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-130","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=\/wp\/v2\/pages\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=130"}],"version-history":[{"count":27,"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=\/wp\/v2\/pages\/130\/revisions"}],"predecessor-version":[{"id":1464,"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=\/wp\/v2\/pages\/130\/revisions\/1464"}],"up":[{"embeddable":true,"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=\/wp\/v2\/pages\/21"}],"wp:attachment":[{"href":"https:\/\/bull-japan.co.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}